By PETER SCHUCK
Review of The Imprint of Congress, by David R. Mayhew
By ANDREW KOPPELMAN
Review of Sex and the Constitution: Sex, Religion, and Law from America’s Origins to the Twenty-First Century, by Geoffrey Stone
By PETER H. SCHUCK
Review of Forging Rivals: Race, Class, Law, and the Collapse of Postwar Liberalism, by Reuel Schiller
By DIANA MUIR APPELBAUM
Review of the Museum of the American Revolution
Review of the National Museum of African American History and Culture, Washington D.C., and the National Museum of the American Indian, Washington D.C.
By JOHN FABIAN WITT
Review of Civil Wars: A History in Ideas, by David Armitage
By RICHARD F. THOMAS
Review of Battling the Gods: Atheism in the Ancient World, by Tim Whitmarsh
By CASS SUNSTEIN
Review of The Framers' Coup: The Making of the United States Constitution, by Michael J. Klarman
By DAVID DYZENHAUS
Review of Crisis and Constitutionalism: Roman Political Thought from the Fall of the Republic to the Age of Revolution, by Benjamin Straumann
By AZIZ HUQ
Review of The Sleeping Sovereign: The Invention of Modern Democracy, by Richard Tuck
By PETER CONTI-BROWN
Review of America’s Bank: The Epic Struggle to Create the Federal Reserve, by Roger Lowenstein
Review of exhibit Jerusalem 1000 - 1400: Every People under Heaven (Sept. 26, 2016 through Jan. 8, 2017)
By DAVID SKEEL
Review of Augustine: Conversions to Confessions, by Robin Lane Fox
By DONNA ROBINSON DIVINE
Review of A Home for All Jews: Citizenship, Rights, and National Identity in the New Israeli State, by Orit Rozin, translated by Haim Watzman
By RAJAN MENON
Review of Realpolitik: A History, by John Bew
Review of exhibits Sunken Cities: Egypt’s Lost Worlds (through Nov. 27) and Sicily: Culture and Conquest (through Aug. 14)
By ARAM GOUDSOUZIAN
Review of American Maelstrom: The 1968 Election and the Politics of Division, by Michael A. Cohen
By MARTHA MINOW
Review of Let The People Rule: Theodore Roosevelt and the Birth of the Presidential Primary, by Geoffrey Cowan
By ALISON L. LACROIX
Review of Hamilton: An American Musical by Lin-Manuel Miranda (Richard Rodgers Theatre, New York City) and Hamilton: The Revolution by Lin-Manuel Miranda and Jeremy McCarter
By DYLAN J. MONTANARI
Review of The Mafia: A Cultural History, by Roberto Maria Dainotto
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