By ZACHARY HERZ
Review of Your House Will Pay, by Steph Cha.
By JOHN OWEN HAVARD
Review of Jonathan Swift: The Reluctant Rebel, by John Stubbs
By STEVEN LUBET
Review of Do I Make Myself Clear?: Why Writing Well Matters, by Harold Evans
By SEAN NAM
Review of The Global Novel, by Adam Kirsch
Review of The Animal Claim: Sensibility and the Creaturely Voice, by Tobias Menely
By ALISON L. LACROIX
Review of Hamilton: An American Musical by Lin-Manuel Miranda (Richard Rodgers Theatre, New York City) and Hamilton: The Revolution by Lin-Manuel Miranda and Jeremy McCarter
By JEFF NUNOKAWA
Review of Henry James: Autobiographies, edited by Philip Horne
By DANIEL GREEN
Review of The Work of Literature, by Derek Attridge
By DYLAN J. MONTANARI
Review of The Mafia: A Cultural History, by Roberto Maria Dainotto
By KENNETH POSNER
Review of What I Talk About When I Talk About Running, by Haruki Murakami
By WILLIAM A. BIRDTHISTLE
Review of I.O.U.: Why Everyone Owes Everyone And No One Can Pay; Capital: A Novel; and How to Speak Money: What the Money People Say -- and What It Really Means, by John Lanchester
By ERIC SANDBERG
Review of Bleeding Edge, by Thomas Pynchon
By RICHARD H. MCADAMS
Review of Go Set a Watchman, by Harper Lee
By MICHELLE KARNES
Review of THE BURIED GIANT, by Kazuo Ishiguro
By TYLER COWEN
Review of THE RAMBLER: Volume 1, Diaries, Prayers, and Annals, by Samuel Johnson
By CASS R. SUNSTEIN
Review of HOW STAR WARS CONQUERED THE UNIVERSE: The Past, Present, and Future of a Multibillion Dollar Franchise, by Chris Taylor
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